The Conjuring

Old-school scare fest

Wednesday, July 17, 2013

The mere sound of two hands clapping will have audiences begging for mercy in The Conjuring, a sensationally entertaining old-school freak-out and one of the smartest, most viscerally effective thrillers in recent memory. Dramatizing a little-known account from the 1970s case files of paranormal investigators Ed and Lorraine Warren, director James Wan’s sixth and best feature is pull-out-the-stops horror filmmaking of a very sophisticated order, treating the story’s spiritual overtones with the utmost sincerity even as it playfully mines all manner of apparent clichés—creaky doors, cobwebbed cellars, toys you’d have to be just plain stupid to play with—for every last shiver of pleasure. What’s a moviegoer to do but join with the demons and applaud?

While it owes an obvious debt to the likes of The Exorcist, Poltergeist, and The Amityville Horror (itself inspired by the Warrens’ most famous case), this exuberantly creepy supernatural shocker is in many ways the film Wan has been working toward his whole career; it not only incorporates elements from his 2007 demon-doll thriller Dead Silence and his 2010 haunted-house saga Insidious, which felt like a warm-up exercise by comparison, but also taps into the sly, self-aware vein of humor that has long been one of Wan’s trademarks. And coming from the director who helped push indie horror toward ever more dubious torture-porn extremes with Saw 10 years ago, The Conjuring feels all the more remarkable for being a relatively gore-free piece of mainstream craftsmanship, the work of a B-movie maestro in full command of his studio-given resources.

A prologue quickly establishes the picture’s weird combo of straight-faced religiosity and genre-savvy irreverence as it introduces Ed Warren (Patrick Wilson) and his clairvoyant wife, Lorraine (Vera Farmiga), who have devoted their lives to studying, warding off and sometimes directly battling the forces of evil. Together these Connecticut-based demonologists project a down-to-earth folksiness that belies the seriousness of their convictions and the hair-raising intensity of their spiritual warfare. Their understanding of the occult world is so rigorous and methodical (they debunk several misconceptions early on) as to inspire immediate confidence in the scripting smarts of brothers Chad and Carey W. Hayes (who also collaborated on 2007′s less effective Bible-thumping thriller The Reaping).

The story was inspired by an alleged case of demonic possession so horrifying that the Warrens kept it under wraps for years, despite having been quite open about their work in their numerous books, lectures and TV appearances. It’s 1970 when Carolyn and Roger Perron (Lili Taylor and Ron Livingston) and their five daughters move into their dream home in Harrisville, R.I., only to swiftly realize they are not the sole inhabitants of this secluded lakeside farmhouse. The demonic manifestations seem fairly routine at first: doors opening and slamming of their own accord, an obligatory spot of animal cruelty, the girls feeling a strange presence tugging at them in their sleep, and dark bruises appearing on Carolyn’s legs and back. Yet it takes almost no time for The Conjuring to immerse the viewer in its spell, as it teases seemingly minor jolts into frissons of terror, and turns a simple game of hide-and-seek into a tour de force of sustained excitement.

Impressively, the film achieves its most startling effects through motion, not stasis. Wan’s command of horror technique isn’t just virtuosic; it’s borderline rhapsodic, playing the audience like Hitchcock’s proverbial piano (a literal example of which is shown collecting dust in the Perrons’ extremely frightening cellar). Cinematographer John R. Leonetti’s widescreen compositions are forever in flux: The handheld camera pursues the characters from room to room in long, patient tracking shots, shifting from one uneasy perspective to the next and prowling every inch of the house’s cavernous, ramshackle interiors.

In terms of what he does and doesn’t show, Wan strikes an ideal balance between the power of suggestion and the satisfaction of a good, in-your-face scare, and he and editor Kirk Morri expertly modulate the film’s dramatic rhythms, allowing the audience an occasional breather between setpieces without losing the momentum. Crucially, the sense of danger only accelerates when Ed and Lorraine temporarily move in with the Perrons and seek out answers, delving into the house’s chilling history of witchcraft, possession, suicide and satanic ritual murder. Along with an investigative assistant (Shannon Kook) and a skeptical but helpful cop (John Brotherton), they even set up film cameras hoping to catch some glimpse of the apparitions at work, like something out of an analog prequel to the Paranormal Activity franchise.

Ultimately the sort of relentless, expertly tricked-out scarefest that leaves one feeling happily drained rather than deeply, permanently unsettled, the film nonetheless heightens its impact by playing the material utterly straight where it counts. The two lead actresses represent the major casting coups here, both maxing out their scream-queen potential without skimping on dramatic heft: Taylor gamely submits to all kinds of physical and emotional extremes as the loving wife and mother on whom the house exacts its most frightening toll, while Farmiga movingly conveys Lorraine’s astounding courage as well as the enormous sacrifices her sixth sense requires. She and Wilson (also in Insidious) achieve a rock-solid rapport as two eccentric but authoritative individuals who selflessly and unapologetically view their marriage as a force for good in the world.

More Film...
The Holocaust on trial

Denial is a movie about a real-life libel case. The filmmaking isn’t fancy or ambitious. Its aim is to tell the story of the case, from its origins to its finish, and it does so clearly, with no embellishment. Fortunately, the issues surrounding the case are so fascinating and so packed…

more »
All This Panic
A teenage dream

In a scant 79 minutes, All This Panic sure covers a lot of ground.

Over three years ago, director Jenny Gage and her cinematographer husband, Tom Betterton, got to know two of their neighbors in the Clinton Hill area of Brooklyn, teenage sisters Ginger and Dusty. Intrigued by the young…

more »
Harry & Snowman
Man and beast: a love story

Narrative films such as Seabiscuit and Secretariat have recounted the fact-based stories of horses that overcame steep odds to triumph on the racetrack. The big difference in Ron Davis’ heartwarming documentary, Harry & Snowman, is that the subject is not a thoroughbred but an Amish plow…

more »
Handling the truth


The Music Man

7:30pm|Anacortes Community Theatre

Family Game Night

7:30pm|DUG Theater

Lynden Book Sale

10:00am|Lynden Library

Komo Kulshan Ski and Snowboard Swap

4:00pm|Bloedel Donovan Gymnasium

Gore and Lore Tours

6:00pm|Historic Fairhaven and downtown Bellingham

Arsenic and Old Lace

7:00pm|Ferndale High School

Skagit Community Band

7:30pm|Maple Hall and Brodniak Hal

Top of the food chain


12 Minutes Max Fall Showcase

7:30pm|Firehouse Performing Arts Center


8:00pm|Old Main Theater


8:00pm|Upfront Theatre

Phenomenal Woman Cabaret

8:00pm|Cirque Lab

Pancake Breakfast

8:00am|American Legion Hall

Anacortes Farmers Market

9:00am|Depot Arts Center

Make It & Take It

9:00am|Garden Spot Nursery

Twin Sisters Farmers Market

9:00am|Nugent's Corner

Cherry Point Forum

9:00am|Bellingham Technical College

Work Party

9:00am|Squalicum Creek

Scottish Highland Reel Competition

9:00am|Syre Center

Make a Difference Day

9:00am|Whatcom County

Fall Family Fun

10:00am|Glen Echo Garden

98221 Artists Studio Tour

10:00am|Anacortes and Guemes Island

Correspondence Club

10:00am|Mindport Exhibits

Blaine Gardeners Market

10:00am|Peace Portal Drive

Bellingham Comicon

10:00am|Ferndale Event Center

Bellingham Farmers Market

10:00am|Depot Market Square

Harvest Happens

10:00am|Bellewood Acres

Community Meal

10:00am|United Church of Ferndale

Celebrating Vicky Marshall

10:00am|Bellingham Public Library

Holiday Gifts from the Kitchen

11:00am|Community Food Co-op

Cornhole Tournament

2:00pm|Boys & Girls Club of Whatcom County

Writing the Living Memoir

2:00pm|Ferndale Library


4:00pm|Bellingham Sportsplex

Wild & Scenic Film Festival

6:30pm|Lincoln Theatre

Warfel Award Ceremony

7:00pm|Mount Baker Theatre

Contra Dance

7:00pm|Fairhaven Library

Skagit Symphony Gala Concert

7:30pm|McIntyre Hall

Whose Live Anyway?

7:30pm|Performing Arts Center

Just another hardcore troubadour


MBT Ben Folds Artifacts Wine Bar
Handling the truth


Lynden Book Sale

10:00am|Lynden Library

Skagit Community Band

7:30pm|Maple Hall and Brodniak Hal

98221 Artists Studio Tour

10:00am|Anacortes and Guemes Island

Harvest Happens

10:00am|Bellewood Acres

Rabbit Ride

8:00am|Fairhaven Bicycle

The Fungus Among Us

10:00am|North Lake Whatcom Park

Lynden Book Club

12:30pm|Lynden Library

Sunday Market

1:00pm|Alger Community Hall

Praise the Salmon

1:00pm|Fairhaven Village Green

Living Proof

4:00pm|Village Books

Benefit Variety Show

6:00pm|BAAY Theatre

Greg Proops

8:00pm|Upfront Theatre

Swinomish 2016 Andrew Subin
Handling the truth


Word Sprints

6:00pm|Bellingham Public Library

October Chores in the Garden

6:30pm|Skagit Valley Food Co-op

Crossing Zion

7:00pm|Deming Library


8:00pm|Bellingham Public Library


9:30pm|Green Frog

see our complete calendar »

MBT Once Swinomish 2016 MBT Ben Folds Northwood Steak and Crab Andrew Subin Bellingham Farmer’s Market Lydia Place Everybody’s Store Cascadia Weekly Subscribe Ad 1 Village Books Artifacts Wine Bar