Film

Murder On the Orient Express

Branagh’s magnificent mustache

Wednesday, November 8, 2017

When the biggest difference between the new version of Agatha Christie’s Murder on the Orient Express and its 43-year-old predecessor is arguably the size of the respective Hercule Poirot’s moustaches, one has to wonder as to the pressing need for a remake. All the same, director-star Kenneth Branagh has delivered a version of Agatha Christie’s 1934 murder-on-a-train mystery gem that may not be as starry but is snappier than the highly successful 1974 outing. Given the confined nature of the material as well as its period-specific aspects, this is a yarn that does not exactly invite radical reinterpretation. As such, its appeal is confined to the traditional niceties of being a clever tale well told, with colorful characters that are fun to watch being made to squirm by the inimitable Belgian detective.

Now as then, the roster of luminaries brought aboard for Sidney Lumet’s uncharacteristically lush entertainment looks pretty astounding, beginning with Albert Finney as Poirot and also including Ingrid Bergman, Sean Connery, Vanessa Redgrave, Richard Widmark, Lauren Bacall, Anthony Perkins, Jacqueline Bisset, Michael York, and Wendy Hiller. Nonetheless, seen today, the film definitely takes its own sweet time with things, and the fact that Bergman won a Best Supporting Actress Oscar for her work in a relatively drab role is utterly confounding; there’s nothing special about either the part or performance.

So perhaps it’s no coincidence that refashioning that role, by casting Penelope Cruz, is among the relatively small number of alterations screenwriter Michael Green has made in reconceiving this new edition. The other notable change lies in the introduction of a black character, Dr. Arbuthnot, played by Leslie Odom Jr., as a substitute for Connery’s army colonel. Neither reconfiguration makes much difference in the bigger scheme of things.

Indeed, the most immediately noticeable distinction between the two versions is the size and design of the inspector’s moustaches. While Finney’s growth was a modest, wee thing, Branagh’s brush provokes one-of-a-kind fascination. The salt-and-pepper tendril sweeps back from above his thin upper lip at least halfway to his ears, while a dabble on the middle of his chin adds an exclamation point. The creation is immaculately tended to, particularly at night, when it’s carefully protected by a special moustache mask, certainly the most important item in the impeccably attired investigator’s suitcase.

Christie’s yarn retains its ability to tease and amuse in a time-killing sort of way. As the remainder of the tale will essentially be confined to narrow railway cars, Branagh packs all the hustle and bustle he can into the first 20 minutes, which sweep through scenic parts of old Istanbul on its way to getting the characters aboard the Simplon-Orient Express back to Europe in the evening.

Naturally, the passengers on this last word in luxury trains are affluent and dressed accordingly, but that doesn’t make them classy; rather, they are a largely louche and suspicious bunch, deliberately endowed by their creator to harbor ulterior motives and possibly sinister designs. They are also outfitted with labels as well as names: Cruz is “the Missionary”; Willem Dafoe plays “the Professor,” who voices pro-Nazi sympathies; Michelle Pfeiffer (in Bacall’s former role) essays “the Widow”; Daisy Ridley (taking the baton from Redgrave) becomes “the Governess”; Judi Dench (stepping in for Hiller) is in her element as the imperious Princess Dragomiroff; and Olivia Colman is “the Maid” for the latter (Rachel Roberts in the original).

But dominating the early-going is “the Gangster,” a swaggering tough guy with an accent to match played by Johnny Depp (Widmark embodied a more low-key version in the original); Josh Gad plays his assistant (following in Perkins’ footsteps). The Gangster’s motives, and his interactions with Poirot, become more complex than initially seems apparent, but what the fellow passengers all seem to share is some sort of acquaintance with a prominent American family whose child was kidnapped and ultimately found dead, a plot point lifted by Christie from the ghastly abduction of Charles and Anne Lindbergh’s baby in 1932.

Christie’s plot officially becomes a murder mystery when one of the main characters is killed in his compartment overnight; most of the remainder consists of a now-aroused Poirot interviewing the key figures on board the snowdrift-stalled train and applying his extraordinary deductive skills to figuring out who among the passengers did the deed.

In his direction, but even more so in his performance as the determined genius investigator, Branagh is energetic to the point of passionate fanaticism. For a good long while, the blunt-spoken, sometimes rude Belgian is flummoxed by a case that’s unique in his experience, his frustration driving him to distraction. But his penetrating intelligence can never be denied for long, and Branagh the director has come up with a novel, if far-fetched, way of transferring his climactic revelation scene—where he spins his conclusions to the whole group—out of the train to a more scenic location.

Branagh’s Poirot is fearless, penetrating and amusing in his relentlessness; in the end, it’s pretty much a toss-up between Branagh and Finney as to who is more effective, although you could say Branagh’s moustache alone gives him the edge by more than a hair.

FCC Advent
More Film...
Anna and the Apocalypse
A zom-com for Christmas

Committing to its audaciously goofy premise with a commendably straight face, Anna and the Apocalypse is an all-singing, all-dancing, zombie-themed teenage comedy that occupies the hitherto unexplored middle ground between High School Musical and Shaun of the Dead. Arriving just in time for…

more »
Wildlife
A family in flames

We are living in an age where wildfires have become such a destructive physical force that they’ve lost some of their potency as metaphors. Wildlife, an intimate new family drama set in 1960 and based on a 1990 novel by Richard Ford, feels like a relic in the sense that it deals with…

more »
Can You Ever Forgive Me?
Melissa McCarthy gets real

Recently, in writing about A Star Is Born, I remarked on how unexceptional it was for a singer—in this case, Lady Gaga—to excel as a dramatic actor. It is no less unexceptional for a comedic actor to excel in drama, a truism demonstrated yet again by Melissa McCarthy in the marvelous Can…

more »
Events
Today
The Giving Tree

10:00am|Village Books

Literacy Council Seeks Volunteers

8:00am

Holiday Festival of the Arts

10:00am|Bellingham Public Market

Miracle Pop-Up Holiday Cocktail Bar

4:00pm|Swim Club

Whatcom Flute Ensemble

6:00pm|Bellingham Public Library

Jagged Ridge Aerial Photography

6:00pm|REI

All-Paces Run

6:00pm|Fairhaven Runners

Urban Hiking with Craig Romano

6:00pm|Mount Vernon City Library

Skagit Folk Dancers

7:00pm|Bayview Civic Hall

Comedy Open Mic

7:30pm|Shakedown

Mountaineers Winter Speaker Series

7:30pm|Backcountry Essentials

Portland Cello
Tomorrow
The Giving Tree

10:00am|Village Books

Holiday Festival of the Arts

10:00am|Bellingham Public Market

Miracle Pop-Up Holiday Cocktail Bar

4:00pm|Swim Club

Winter Wear Drive

11:00am|Upper Skagit Library

Deck the Old City Hall

12:00pm|Whatcom Museum's Old City Hall

Bellingham at Home Holiday Party

1:00pm|Bellingham Senior Activity Center

Avalanche Awareness with NWAC

6:00pm|REI

Whatcom Writers and Publishers' Holiday Mixer

6:00pm|Nicki's Bella Marina

Forest Health

6:00pm|Mount Vernon City Library

Celtic Christmas with Geoffrey Castle

6:30pm|Transit Shed Events Center

Kareem Kandi Trio

7:00pm|Sylvia Center for the Arts

MVHS Holiday Concert

7:00pm|McIntyre Hall

O Christmas Tea

7:30pm|Mount Baker Theatre

VoicePlay Amethyst
Thursday
The Giving Tree

10:00am|Village Books

Winter Wear Drive

11:00am|Upper Skagit Library

Deck the Old City Hall

12:00pm|Whatcom Museum's Old City Hall

MVHS Holiday Concert

7:00pm|McIntyre Hall

Birding Adventures

9:00am|Skagit Valley

Literacy Council Seeks Volunteers

10:00am

Valley Crafters Holiday Bazaar

10:00am|Deming Presbyterian Church

Holiday Festival of the Arts

10:00am|Bellingham Public Market

Gifts from Our Gardens

12:00pm|Healthy Connections Room

 BHS Showstoppers

12:00pm|Whatcom Museum's Old City Hall

English Country Dancing

1:30pm|Bellingham Senior Activity Center

Miracle Pop-Up Holiday Cocktail Bar

4:00pm|Swim Club

Jazz Jam

5:30pm|Illuminati Brewing

Astronomy Meeting

7:00pm|Whatcom Educational Credit Union

Spanish Brass Christmas Concert

7:00pm|Mount Baker Theatre

Balkan Folk Dancers

7:00pm|Fairhaven Library

The Best Bad Things

7:00pm|Village Books

Noel Noir

7:30pm|Anacortes Community Theatre

Annie

7:30pm|Lincoln Theatre

A Christmas Carol

7:30pm|Sylvia Center for the Arts

History Holiday Open Mic

7:30pm|Whatcom Museum's Old City Hall

The Good, the Bad, and the Ugly

7:30pm|Upfront Theatre

see our complete calendar »

VoicePlay Amethyst Stomp Village Books Portland Cello 2018 Gift Guide Cascadia Weekly Subscribe Ad 1 Trove Web